Edgar Allen Poe and Sigmund Freud (The Uncanny) Essay

Edgar Allen Poe and Sigmund Freud (The Uncanny) - Essay ExampleIt will pay attention to the influences of the Romantic Movement in literature as well as the bearing of ordinary psychological theories such as The Uncanny presented subsequently by Sigmund Freud. The short story Eleonora is lyrical testament to the power of romantic love. A story without each plot whatsoever, its aesthetics lies in the portrayal of depths of passion and the glory of love. It is as much a eulogy to love as it is an excuse for breaking mop up past promises. Yet, there is no contradiction here, as the promises made to the protagonists previous lover have eroded in relevance in the cashiers second epoch of life as he calls it. German physician Friedrich Anton Mesmers (1734-1815) scientific method of delving into the human psyche is of protagonist in analyzing the story, for it provides a medium with access to the subjects inner world and secrets that lay beyond human existence. i This then novel scient ific approach became the cutting-edge development in scientific research to approach the mysteries of the spiritual world and the dark side of the human mind. The Romantic poet, therefore, employed the motif of the double as the chance to investigate the passions and illnesses of the human mind and to examine the presence of a supernatural world. ii The storyline in Eleonora is quite simple. The nameless narrator (probably Poe himself) recollects two distinct periods or chapters in his life. The get-go one ends with the premature finale of his making love cousin Eleonora. The second one ends with his marriage to Ermengarde, his heartthrob of late. During the first phase, the narrator recollects all the wonderful moments he spent with his cousin Eleonara, whom he was about to marry if not for her terminally declining health. This morbid stipulation of time exactly heightens their love for each other. Instead of dousing interest in the relationship, it serves as a catalyst in co nsolidating the lovers bond. At one such heightened moment of heart-felt love, the narrator promises to Eleonora that even after her death he would remain loyal to her. By remaining loyal to the memory of their love, he believes, he will retain his beloveds spiritual grace from the heavens, where she would watch over him for the rest of his life, till he joins her eventually one day. Thus ends the first phase of his life, with the promise to and death of Eleonora. In the second phase of the narrators life, having been discouraged by the emptiness of life without Eleonora, the narrator decides to seek a livelier atmosphere by participating in worldly affairs. Idealistic and endearing an idea this was, it would be severely tested and defeated in the face of the charms of Ermengarde. The authors endeavor is to harmonize these apparently contradictory actions on part of the narrator. Poe is able to achieve this goal by stylized application of the best features of Romantic Movement in literature, which was in vogue in the early decades of the 19th century. Although Poe preceded Freud, there is evidence of some of the latters theories in Poes works, including Eleonora. One of the theories articulated by Sigmund Freud is that of cognitive Dissonance. We can witness this at play as the narrator justifies his abandonment of the promises made to the deceased Eleonora in the face of th